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Decorating....and a few old bits

Woodbloke

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I've been decorating the lounge and had to empty the overstuffed bookcase and in doing so came across an old photo album dating from the very late 90's when I was making stuff for David Linley (DLF), but the first pic:

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...dates from 1975, showing a pair of jewellery boxes. The right hand one was the first major project I ever attempted, made in a week at a Summer School on Barry Island (I remember seeing the acres of rusty locos, now thankfully restored) The tutor was Lon Kettless from Shoreditch and he insisted that the only jointing had to be secret mitres, with a raised panelled lid, box wood stringing, plinth and sycamore lining; all made entirely without the use of any machine tools if I recollect.

The next pic is a bench thingie in mahogany with ABW roundels:

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...followed by a couple of pics of some pedestal bases for a dining room table. I turned out the bases (American Black Walnut veneer over mdf cores):

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The next three pics are of a console table in Oak with a Burr Oak top etc and Ebony stringing:

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The next one is a Dumb Waiter in Mahogany with Satinwood stringing and lipping with an 'upstand' which I have no idea how I made:

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The final pic is a pair of huge lamp stands in Sycamore, inlaid with Ebony lines:

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I seem to recollect I made the bases on this job and someone else did the other bits. Note the 'shop; it was an old sugar warehouse in Stalbride, Dorset, with a vast cathedral like interior, with no insulation and virtually no heating. One of the other lads can be spotted in the last pic behind the lamp standards. Nothing was ever finished in the 'shop but went off to be sprayed with a couple of coats of acid catalyst lacquer. Happy days! - Rob

Edit: Linners required an almost razor arris on his stuff and the only thing we were allowed to do was a single pass with a bit of worn 320g paper! It was a standing joke that a complementary packet of sticking plasters should be supplied with each piece.
 
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That's an impressive portfolio of work. Is there still an elite demand for pieces like those, or has fashion turned away in favour of something else?
 
Ok, answering my own question, I found some ideas for Christmas presents that I hadn't thought of on their website here


I can admire the craft and construction without wanting to own the work!
 
That's an impressive portfolio of work. Is there still an elite demand for pieces like those, or has fashion turned away in favour of something else?
DL used umpteen small workshops around the country but the biggest one where most of his stuff was (and still is) made is at Robin Hood's Bay, in Yorkshire - Rob

Edit: can you imagine some feather brained yuppie putting his or her expensive footwear on the corners of those pedestals during a posh meal somewhere in Belgravia? After sanding, it's less that 0.5mm and you're through to a solid mdf core!
 
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Most impressed Rob!!! That console table is lovely.
I hadn’t realised that he farmed the work out like that, neverless in Yorkshire!
I presume that all the design work was his? Or did he farm that out as well?
 
Most impressed Rob!!! That console table is lovely.
I hadn’t realised that he farmed the work out like that, neverless in Yorkshire!
I presume that all the design work was his? Or did he farm that out as well?
Thanks Ian. They were just viewed as a job(s) that had to be churned out in the shortest possible time. I think Linners did all the design work himself, but I do rememberer one of the guys made a magnificent repro board room table which was French polished. The guy who made it specifically told Linley in person not to put it in full sunlight in his shop window in Pimlico, so guess what the plonker did?

Within three months it was back in the workshop to be re-polished - Rob

Edit - we also used on occasion the odd bit of Brummer stopping and Matt who made the table called it the 'royal filler' :ROFLMAO:
 
I wonder how the retail price was carved up between Linley and the makers he engaged. I used to wander around his shop back in the day when I lived in London and marvel at the prices. There were some excellent antique shops nearby too.
 
I wonder how the retail price was carved up between Linley and the makers he engaged. I used to wander around his shop back in the day when I lived in London and marvel at the prices. There were some excellent antique shops nearby too.
When I left the company late in 1999, I recollect the last thing I was working on was a circular coffee table in American Black Walnut (we used a fair bit and would ruthlessly cut away any creamy sap) with a price tag of about £3000 (which is what the firm charged DL) on the drawing I was working from. My boss Richard mentioned that it would be for sale in London for at least three times the price we charged...bearing in mind this was 25 years ago! Richard now works for this outfit in Semley, no more than fifteen miles from Wilton and and I met up with him again for a natter shortly after HM died in 2022. The original firm that he and his brother founded went to the wall in the early 'noughties' - Rob

Edit - you can see Dick nattering to a customer if you scroll down to the bottom of the home page
 
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