I’ve been asked to make a fairly large (1700 x 1000 mm ish) coloured veneer ‘wall art’. Given the chosen design and size I’m well outside my comfort zone but actually quite enthusiastic about doing it.
I’ve got quite a lot of small scale veneering under my belt now and never had a significant issue but with this the prospect of warping is currently at the forefront of my mind. Clearly I don’t want to do what’s going to be a huge amount of work only to see it gently curl into oblivion so the choice of substrate is important.
9mm ply is my first choice (it will be lipped) as I’ve always found it to be stable and hasn’t needed a balancer. However, this has all been small scale and the ply has been ‘secured’ from movement by being glued to other things (e.g. box sides etc.). The other saving grace is the veneer won’t all be glued at once but in smaller sections, no more than about 300 square mm at a time with an allowance for drying (titebond is the glue of choice).
Can anyone see any major issues with what I’ve outlined?
Thanks
I’ve got quite a lot of small scale veneering under my belt now and never had a significant issue but with this the prospect of warping is currently at the forefront of my mind. Clearly I don’t want to do what’s going to be a huge amount of work only to see it gently curl into oblivion so the choice of substrate is important.
9mm ply is my first choice (it will be lipped) as I’ve always found it to be stable and hasn’t needed a balancer. However, this has all been small scale and the ply has been ‘secured’ from movement by being glued to other things (e.g. box sides etc.). The other saving grace is the veneer won’t all be glued at once but in smaller sections, no more than about 300 square mm at a time with an allowance for drying (titebond is the glue of choice).
Can anyone see any major issues with what I’ve outlined?
Thanks
